By Gregg Olsen
Stella Nickell's small-time global was once one among big-time desires. In 1986, her greatest one got here precise whilst her husband died in the course of a seizure, making her the beneficiary of a $175,000-plus coverage payoff--until experts stumbled on Bruce Nickell's headache drugs have been laced with cyanide. In an try to conceal her tracks, Stella did the unconscionable. She observed to it stranger might additionally develop into a "random casualty" of cyanide-tainted painkillers. yet Stella's crafty plan got here undone whilst her daughter Cynthia notified federal brokers. And troubling questions lingered just like the mystery of sour almonds...
What may flip a gregarious barfly like Stella right into a cold-hearted killer in a single day? Why might Cynthia, a replicate snapshot of her mom, activate her personal flesh and blood? Did Cynthia demonstrate every thing she knew concerning the crimes? the beautiful solutions might spread in a case that sparked a countrywide uproar, dug deep right into a relations background, and uncovered an American mom for the gorgeous poison she was once.
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A criminal offense author who suggestion he may well deal with whatever confronts the worst of every thing. Violent and unattended deaths. .. suicide. .. forensics. .. viral pathology. .. crime scene myths. .. The tales at the back of Aftermath, Inc. are stranger than fiction, and totally human and compelling.
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Aftermath, Inc. lines their background, introducing their consumers and staff, and the law enforcement officials, coroners, and detectives they stumble upon of their paintings. Gil is going on scene and works part via facet with the Aftermath technicians. He tells the tales that led as much as a few of Aftermath's so much grisly clean-up jobs, taking us on a trip during the suburban Midwest the place the corporate is predicated, domestic to a couple of the quietest, calmest, such a lot traditional blocks on the earth, which cover a lot darker undercurrents underneath.
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Extra info for Bitter Almonds: The True Story of Mothers, Daughters, and the Seattle Cyanide Murders
Star Trek’s ‘Mirror, Mirror’ (2:4) provides a parallel universe in which characters discover hidden qualities in their second selves: would a harsher world erode the idealism of these people, or could they instead seed change in that harsher realm? George Takei appears both in this episode and, decades later, in Heroes – in which the ‘Five Years Gone’ episode (1:20) displays a postapocalyptic world to a time traveller, not only motivating much of the urgency of the rest of the plot but also forcing characters to consider dark moral choices.
This industrial approach is particularly apt if one considers the case of HBO (Home Box Ofﬁce). The company behind such varied successes as Sex and the City, Deadwood, The Sopranos, The Wire, and The Larry Sanders Show truly is the house that cult television built. Delivered on subscription by cable, it is perceived as being creatively freer since its content, particularly with regards to language and nudity, is largely uncensored. As such, it is a brand that has come to signify content made for an exclusive and adult viewership with shows that freely embrace subcultures and which promote an anti-establishment viewpoint as a way to differentiate itself from the main networks.
As for the use of language to quote or allude to earlier works of literature, some critics worry that discussing these elements of cult television is little more than an attempt to gain cultural capital – to curry cultural favour. Petra Kuppers, for instance, refers to Star Trek: The Next Generation’s ‘Shakespeare complex’ (2004: 50). I would argue instead that allusions to earlier literature are neither more nor less valid in television than they are in any other cultural product which incorporates language.
Bitter Almonds: The True Story of Mothers, Daughters, and the Seattle Cyanide Murders by Gregg Olsen