By Pamela Hirsch
Barbara Leigh Smith Bodichon used to be the main unconventional and influential chief of the Victorian women's flow. significantly gifted, vigorous and unique, she was once a feminist, law-reformer, painter, journalist, the shut pal of George Eliot and a cousin of Florence Nightingale.
As a painter, Barbara is now known as a necessary determine between Pre-Raphaelite ladies artists. As a feminist she led 4 nice campaigns: for married women's criminal prestige, for the precise to paintings, the fitting to vote and to schooling.
Making awesome use of unpublished journals and letters, Pam Hirsch has written a biography that's as vigorous and robust as its topic, recreating the girl in all her moods, and putting her firmly within the context of women's fight for equality.
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Additional info for Barbara Leigh Smith Bodichon: Feminist, Artist and Rebel (New Edition)
1999): throughout their entire time in power, the Nazis systematically continued their ‘war against swing’ by arresting people who performed or listened to this music (see also Zwerin, 2000). qxd 12/08/2004 10:35 Page 24 4 To Pay or Be Paid For? Women’s chaperones not only watched over their charges but also paid their bills. As women tried to do away with chaperones and to replace them with gentlemen-escorts, the question of whether the women should be allowed to pay for themselves became an issue of greater concern.
And in the 1980s, the dangers of the ‘power transfer’ are recognizable from an English etiquette book which held that: The person who issues the invitation pays. Usually he pays for her. His payment is for the pleasure of her company – nothing more ... If he is courting her he should pay. qxd 12/08/2004 10:35 Page 25 To Pay or Be Paid For? temporarily to look after their under-fives and she needs to know that he is able and willing to pay for two – even three. (Lansbury, 1985: 77) In the phrase ‘His payment is for the pleasure of her company – nothing more’, the danger of the ‘power transfer’ is still recognizably present.
Indeed, Post’s renewed 1992 edition did contain a paragraph on sexual harassment, while one headed ‘Sex in the Workplace’ was written entirely in the tone of ‘Neither sex nor sexual attraction belong in the office’ (1992: 229–30). In the same year, in a personal communication, America’s Miss Manners (Judith Martin) expressed herself to be against using first names at work because greater formality and larger social and psychic distance would provide women with additional protection. In one of the above quotations, businesswomen and their business manners were observed to have influenced manners in the sociability sides of life.
Barbara Leigh Smith Bodichon: Feminist, Artist and Rebel (New Edition) by Pamela Hirsch